FIONA CLARK BIOGRAPHYBorn 1954 in Inglewood, Taranaki, New Zealand 1972 - 75, University of Auckland, Elam School of Fine Arts Dip F.A. (Hons)
Lives and works in Tikorangi, Taranaki, New Zealand
Selected One Person Exhibitions
|2006||GO GIRL -Dunedin Public Art Gallery, Dunedin.|
|2005||GO GIRL - Southland Museum and Art Gallery, Invercargill.
GO GIRL - Whangarei Art Museum, Whangarei.
|2003||GO GIRL under took self touring show – Whakatane Art Gallery, Whakatane.
GO GIRL - Mori Gallery, Sydney, Australia.
|2002||GO GIRL - Govett-Brewster Art Gallery, New Plymouth|
|2001||Club 47, Govett-Brewster Art Gallery, New Plymouth|
|1997||final days of Club 47, Escalante Gallery, Auckland|
|1996||The Face of Law, commissioned by the Taranaki Law Society, Govett Brewster Art Gallery, New Plymouth|
|1989||Living with AIDS, album and installation, Dowse Art Museum, Lower Hutt, ARX ’89 Perth, Australia.|
|1987||Necessary Protection, Exposure Gallery, Wellington, Artspace, Auckland, Govett-Brewster Art Gallery, New Plymouth, Sarjeant Gallery, Wanganui|
|1986||He Taura Tangata, binding people and places together, Govett-Brewster Art Gallery, New Plymouth, and subsequent tour of New Zealand|
|1982||Body Building, 40 colour photographs, Govett-Brewster Art Gallery, New Plymouth, and susquent tour of New Zealand Dowse Art Museum|
|1979||Fiona Clark, Tikorangi Factory Gallery, Taranaki|
Selected Group Exhibition
|2009||Balclutha Art Centre & South Otago Museum, Balclutha, South Otago. “R.S.V.P”. Amy Maud Bock - Centennial of the Marriage of Amy and Agnes Ottaway. Joint exhibition with Lynne Johnson – Bock descendant, Australian Fibre Artist.
Govett Brewster Art Gallery, New Plymouth – “AM I Scared, Boy” (EH) – works from the collection.
Re builtfionaclark.com web site.
SCANZ 2009 New Plymouth – assisted as artist on various projects.
|2008||Pukeariki – New Plymouth “Taranaki Whenua Life-Blood-Legacy”.
Percy Thomson Gallery Stratford – “Taranaki Gate”. DVD of my Cows.
|2007||The Rhyton Project – established live web camera and web site of Mount Taranaki.
Percy Thomson Gallery Stratford – “Wai - water”. DVD time lapse of a days tide, North Taranaki Coast.
|2006||Govett Brewster Art Gallery, New Plymouth “Viewfinder”.
SCANZ 2006, New Plymouth. – assisted as artist on various projects.
|2005||Matakana Pictures, Matakana – “Solstice”.
Govett Brewster Art Gallery, New Plymouth - “From mini-FM to hacktivists: a guide to art and activism”
|2004||Pukeariki, New Plymouth “Parihaka – the Struggle for Peace”.
Govett Brewster Art Gallery, New Plymouth – “Lights>camera>action” – works from the collection.
Treaty of Waitangi forum – Pukeariki, New Plymouth.
Dowse Foundation art auction, Lower Hutt.
Lake Taupo Arts festival – “Crossings” – An invited Artist.
|2003||Govett Brewster Art Gallery, New Plymouth – “Locals Only; checking out the Neighbourhood”.|
|McNamara Gallery, Wanganui. “In the pursuit of Beauty and Perfection”. With archival prints by Gordon H Burt.|
|2001||Te Maunga Taranaki: views of a mountain Govett-Brewster Art Gallery
2000 Parihaka: the art of passive resistance City Gallery, Wellington.update/the active eeye: contemporary New Zealand photography at www.photoforum.nz.org/update.
Art Waikato National Art Award, Runnerup.SPARC Waikato Polytechnic Dept of Media Arts, Hamilton. A Guest artist.
|1998||Leap of Faith: contemporary New Zealand art Govett-Brewster Art Gallery|
|1994||One hundred and fifty was of Loving Artspace, Auckland|
|1992||Implicated and Immune: artists’ responses to AIDS Fisher Gallery, Auckland
Whatu Aho Rua Sarjeant Gallery, Wanganui; and Adelaide Arts Festival
|1991||Art and organised labour Wellington City Art Gallery, Wellington|
|1990||Histories: seams of a culture National Library Gallery, Wellington|
|1989||Constructed intimacies Moet et Chandon New Zealand Art Award, Sarjeant Gallery, Wanganui. Toured to Robert McDougall Art Annex, Christchurch, National Art Gallery, Wellington: Auckland City Art Gallery|
|1988||Rear Vision; a history of PhotoForum/Wellington to 1988 Wellington City Art Gallery Turnbull Library Post Office Project, Alexander Turnbull Library, Wellington.|
|1987||When Art Hits The Headlines: a survey of controversial art in New Zealand Shed 11, National Art Gallery, Wellington
Visa Gold Art Award Finalist.
|1986||Frauen photorafieren Frauen, Munchen Volkshochshule, Germany
The Trained Eye, National Art Gallery, Wellington
|1985||Women view Women, Real pictures, Auckland. Toured to Robert McDougall Art Gallery, Christchurch, Govett Brewster Art Gallery; National Art Gallery, Wellington; Dunedin Public Art Gallery; Sarjeant Gallery, Wanganui|
|1982||Views/Exposures; Ten contemporary New Zealand photographers National Art Gallery, Wellington|
|1981||Parihaka, centennial exhibition and art auction Govett-Brewster Art Gallery|
|1980||Illusions, Fantasies, and Lies PhotoForum Gallery, Wellington|
|1979||Three New Zealand photographers: Fiona Clark, Laurence Aberhart, Peter Peryer Auckland City Art Gallery. Toured to National Art Gallery, Wellington; Govett-Brewster Art Gallery; Manawatu Art Gallery, Palmerston North; Sarjeant Gallery, Wanganui; Waikato Art Museum, Hamilton; Gisborne Art Gallery and Museum; Rotorua Art Gallery; Wairarapa Arts Centre, Masterton; Bishop Suter Art Gallery, Nelson
'Women by Women', Snaps Gallery, Auckland.
|1977||The Active Eye; contemporary New Zealand photography Manawatu Art Gallery, Palmerston North. Toured to Govett-Brewster Art Gallery; Waikato Art Museum, Hamilton; McDougall Art Gallery, Christchurch; Sarjeant Gallery, Wanganui; Aigantighe Gallery, Timaru; Anderson Park Art Gallery, Invercargill; Dunedin Public Art Gallery; Wairarapa Arts Centre, Masterton; Auckland City Art Gallery; Hawkes Bay Art Gallery and Museum, Napier; Dowse Art Museum, Lower Hutt.
‘Five Taranaki Photographers’, Clearwater Gallery, New Plymouth.
|2003||Peter Wells, “Incandescent Moment, Fiona Clark’s GO Girl”, Art New Zealand #106
Te Maunga Taranaki; views of a mountain Govett-Brewster Art Gallery
|2001||Bridie Lonie, “Genes and archives: Fiona Clark mines the unimaginable” Art New|
Parihaka; the art of passive resistance Victoria University Press with Parihaka Pa Trustees
David Brown” Breathing space; Club 47 photographed by Fiona Clark” Art New Zealand #80 Leon Narbey, Trevor Haysom Visible evidence; eight documentary photographers
|1996||(video), Trevor Haysom
One hundred and fifty ways of loving Artspace, Auckland
|1994||Anne Kirker, New Zealand women artists; a survey of 150 years Craftsman House William Main, John B Turner New Zealand photography from the 1840’s to the present,|
Bridie Lonie, “Fiona Clark’ images of the land and people” Art New Zealand #53 putting the land on the map; art and cartography in New Zealand since 1840 Govett-Brewster Art
Gregory Burke, Athol McCredie Rear vision; a history of PhotoForum Wellington to 1988 Wellington City Art Gallery
|1988||Peter Aagard “Fiona Clark; Necessary protection”
A women’s picture book; 25 artists of Aotearoa New Zealand Wellington, GP Books
Jim and Mary Barr When art hits the headlines; a survey of controversial art in New Zealand National Art Gallery, Wellington
|1987||Stacey Gwen “Women view women; photographs by Fiona Clark, Gill Hanly, Ans Westra, Jane Zusters” Art New Zealand #38
He Taura Tangata; binding people and places together Govett-Brewster Art Gallery
|1986||The trained eye, National Art Gallery, Wellington
Women view women Wellington, Diane Quinn and Real Pictures
Nga whaea o te moana Taranaki 1983 (calendar) Fiona Clark
Views/exposures; ten contemporary New Zealand photographers National Art Gallery, Wellington
|1985||Parihaka centennial exhibition and art auction Govett-Brewster Art Gallery|
|1982||Three New Zealand photographers; Fiona Clark, Laurence Aberhart, Peter Peryer Auckland City Art Gallery
The Active Eye; contemporary New Zealand photography Manawatu Art Gallery.
Grants & Awards
|1980||$2,274, Queen Elizabeth II Arts Council, for photographing 'Big Time Wrestling’ and later bodybuilding. $500.00 Queen Elizabeth Arts Council, to attend ‘Mr. Olympia’ international body building competition in Sydney as official photographer with the New Zealand Body Building Federation.|
|1983||$3,850, Maori and South Pacific Arts Council and $1,500 Advisory Committee on Women’s Affairs, (joint grants with two others) to photograph and document weaving of Te Atiawa.|
|1985||$10,000, Queen Elizabeth II Arts Council, major study grant to travel to USA, UK and Europe to look at contemporary and historical photography.|
|1987||$10,000 Queen Elizabeth II Arts Council, Project Grant to stabilize and re-house early 1974 - 80 colour negative work|
|1988||$500 Taranaki Floral Society for Illuminated Transparencies|
|1989||$11,250 Queen Elizabeth II Arts Council Project Grant to undertake project work.|
|1997||$29,500 Creative NZ grant - Major Project Grant - The Other Half.|
|1998||$350 to assist setting up website N.T.C. Arts Council.|
|1999||$150 assist with publishing a website card. N.T.C. Arts Council.|
|2000|| $5,000 towards purchase for Video equipment Taranaki Electricity Trust
$12,000 Screen Innovation Production Fund Creative N.Z. Go Girl project
|2003||$2,200 GABA – towards the GO GIRL exhibition – the book and the DVD’s produced.|
|2009||$500.00 North Taranaki Community Arts Council – to travel to Balclutha for the Amy Maud Bock Centennial and exhibition|
Fiona Clark (born 1954) received a Diploma in Fine Arts (Hons) from Elam School of Fine Arts, University of Auckland, in 1975, focusing on performance and sculpture, though photography became her favoured medium. She has developed her practice from this time, undertaking in-depth, long-term photographic projects documenting specific social groups including transgender, gay and lesbian communities, body-builders, AIDS sufferers, and local Māori. Significant projects she has undertaken include Kai Moana (1979/81); Body Building (1982); He Taura Tangata (1986); Living with AIDS (1989); The Other Half (1997), and Go Girl (2002). Her work was included in, but subsequently removed from the first survey of contemporary photography, The Active Eye, organised and toured by the Manawatu Art Gallery in 1975–6, a problematic act of censorship in response to public outcry at her photographs’ subject matter. Since then, her works have been included in exhibitions at public galleries including Govett-Brewster Art Gallery, New Plymouth; Dowse Art Museum, Lower Hutt; Manawatu Art Gallery, Palmerston North; Sarjeant Gallery, Whanganui; National Art Gallery, Wellington; City Gallery, Wellington, and other spaces such as Real Pictures; Photoforum Gallery; Raven Row, London; Artspace, Auckland, and Michael Lett, Auckland. Clark lives and works in Tikorangi, where she presents her work in a gallery she has created in a part of the old dairy factory she owns and where she maintains and develops her extensive archives. She is represented by Michael Lett, Auckland.